殘念的風景-陳順築個展 The Remnant Vision—Solo Exhibition by Chen Shun-Chu @ 台北當代藝術館官方網站 Museum of Contemporary Art, Taipei

展覽名稱 Title | 殘念的風景-陳順築個展The Remnant Vision—Solo Exhibition by Chen Shun-Chu

展覽時間 Date | 2011.12.02-2012.01.29

展覽地點 Venue | 台北當代藝術館 MOCA Taipei 1F

門票Ticket prices | NT.50 --與"末˙未"一票兩展

貼心小叮嚀│本展適合闔家觀賞
Note / This exhibiton is for general public

展覽簡介Exhibition Introduction

〈殘念的風景〉是陳順築2011年的新作系列，也是本次個展的名稱。本次展出，以「一種未竟的人生風景」為主軸，敘述著陳順築由憑悼家族歷史出發，以作品抒發內在情感的缺憾與斷片逆旅，擴展人們內在集體意識的投射，乃至觸動潛藏在觀者心中對於過往記憶的情感。陳順築早期之作，藉由一再審視、演繹及改造一些記憶影象的過程，賦予自我生命新的意義，近作有意折返個人純粹的當下心緒與生活哲思，也反覆整補了遺失在記憶盡頭的圓美境地。

本展內容包括平面攝影與影像裝置，從陳順築1990年初期的創作探索、生命體悟到近期的隨興新作。藝術家針對當代藝術館建築與空間而特別製作的兩件裝置如序曲般將觀眾帶入了陳順築以影像書寫的人生風景和藝術文本；沿著紅磚走廊的四個展間，陸續呈現他之前膾炙人口的幾件複合媒材作品和裝置作品；後端的新作系列中，展現了藝術家重新投入偶發影像的凝視和純然心象的自我追求。

在當代館，陳順築建構空間的裝置、回溯生命的舊作、加上重探藝術的新作，集結交織成了強韌有力的生命線索和紋理多樣的藝術篇章。

“The Remnant Vision” is the title of a series of new works begun by Chen Shun-Chu in 2011, as well as of this exhibition. Revolving around “incomplete visions of life,” the exhibition is an account of how Chen began with reflections on his family history, with his works expressing feelings of regret and the fragment of images on journeys and later expanded to the projections of people’s collective consciousness, even stirring feelings about memories buried deep in the viewer’s heart. Chen’s earlier works give new meanings to life through a process of repeated examination, interpretation, and reshaping of images of memories; his more recent work is intended to recreate pure personal emotions and outlooks on life, and to repeatedly remake perfect moments lost at the end of memory.

The exhibition, which includes both photography and image-based installation pieces, extends from Chen’s creative exploration and meditations on life in his works from the early 1990s to his more spontaneous recent works. Based on the architecture and spaces of the Museum of Contemporary Art, the artist has specially produced two installation pieces which, like musical overtures, lead the viewer into Chen’s creative world, the scenes of life and artistic texts presented through visual language. A few of well-known earlier mixed-media and installation works are on display in the four display room along the red brick corridor, while the series of new pieces at the end display the artist’s re-focus on suddenly occurring imagery and the pursuit of self in purely emotional images.

Chen Shun-Chu’s space specific installation works, past works that look back on life, and new works that re-explore the essence of art have been collected together and interwoven to create a powerful, vital artistic essay with diverse threads at MOCA Taipei.

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