台北當代藝術館 官方網站 Museum of Contemporary Art, Taipei

首頁 展覽資訊

超有機-德國當代媒體藝術展 re-active platform

展覽名稱 Exhibit

超有機-德國當代媒體藝術展 re-active platform

展覽時間 Date

2011/10/08-11/20

展覽地點 Venue

地下實驗‧創意秀場 (捷運中山地下書街,近R9出口)

MOCA Studio Underground(The Zhangshan Metro Mall, near exit R9)

門票 Admission 免費,free
策展人 Curator

華安瑞(Andreas Walther)+王浚人(Wang Chun-jen)

參展藝術家 Artists

洛夫‧貝克(Ralf Baecker) 、亞圖‧賀霖(Arthur Holling)、卡琳‧林瑙(Karin Lingnau)、露易思‧涅葛龍(Luis Negron)、白吉炫(Ji-hyun Park)、蘇珊娜‧旬白克(Susanna Schoenberg)

貼心小叮嚀 Note

本展適合闔家觀賞 This exhibiton is for general public.

展覽介紹 About the Exhibition

文/石瑞仁

媒體藝術的發展源頭,可以上溯至20世紀60年代,由白南準等人引領潮流的實驗錄像藝術。到了80年代,隨著電腦科技日漸普及,媒體藝術的領域也延伸到電腦繪圖、影音特效、動畫、3D虛擬實境,乃至所有可以運用類比或數位科技完成的作品。及至90年代網路的興起,媒體藝術的發展更加多元,互動和參與也變成新的趨勢。

十月初於當代館「地下實驗、創意秀場」舉行的【超有機-德國當代媒體藝術展】(re-active platform),是以大量數據傳導為基礎,應用雷射光電為展現媒介的新媒體藝術展。參與本展的六位藝術家,創作概念有別於外部的「互動」(interactive)模式,而更強調內在的「反應」(re-active)作用,希望從物理法則出發,將人與人、人與自然、環境、世界之間的牽引作用轉化為看得見、聽得到的媒體藝術表現形式。本展由德國媒體藝術策展人華安瑞與台灣新一代策展人王浚人共同策畫,邀請來自德國科隆藝術學院的六位新媒體藝術家展出五件新作,為了強化作品與台灣文化及在地環境的連結性,藝術家們特地提早來到台灣,感受台灣的文化,並選擇具有本土色彩的材質、做為與其多媒體作品結合的現場裝置元素。

本次展覽繼2010年由三位德國藝術家專程來台參與的【三極片─德國影像藝術三人展】(Tripolar-Three Position of German Video Art)之後,再度展現了德國當代媒體藝術的活力和多樣性。六位年輕藝術家對新媒體特性的掌握,對於異質元素的融匯和不同運用,形成各自獨特的美學,也為台灣觀眾開啟了文化交流、藝術體驗的新視野。

策展論述 Curatorial Statement

/華安瑞

媒體藝術這個名詞大約是在1990年以後開始流行,從那時到現在,這個名詞始終代表一種極有趣的觀點。但究竟什麼是媒體藝術呢?這個名詞,指的是否只是使用到電子科技或數位媒體的藝術創作?廣義地來看,媒體藝術這種創作類形,可以說聚焦於藝術創作本身─藝術本就與媒體(媒材)離不開關係。由此看,媒體藝術關心的是何謂「藝術媒體」(artistic media),以及他們如何運作,還有,他們在創作過程、或在藝術家與媒體及世界之間的交錯互動中扮演何種角色。

比如,當我們只透過繪畫或攝影(或文學)來複製自我肖像時,我們會得到全然不同的自我參照。而同樣的,繪畫與攝影的過程對藝術家來說具有很不同的影響:這個過程本身即是一種特別的媒體結構,比如它(過程)對時間與空間的媒合作用,使它成為一種獨特的媒體。若我們放大媒體藝術的探討領域,會發現,透過傳播與社會媒體(政治、宗教、科學、藝術)所完成的溝通-社會過程,是這種藝術型態的考量之一。

反應平台,來自德國科隆的藝術團體,對於探討美學系統之封閉性抱著極大的興趣。(比如,肖像畫只能透過某種媒體,以某種手法、或者甚至是某種型式來實現。)在這種情況下,單一創作系統(或者任何一種系統)只能以極度自我參照的方式來操作,而且只聚焦於自身內在的邏輯與策略,對於外在世界漠不關心。當所屬的美學系統不能支應時,藝術創作的過程與結果會變得極度地以自我為中心。

反應平台的裝置作品,一方面創造了這樣的封閉系統,但另一方面他們也結合科技技術,意欲防止或反制這種現像發展:這些科技設備皆為不同的感應器,比如巧合迴路(感應器偵測巧合)、超音波感應器、錄像音軌設備等等;所有這些感應器所偵測的對像都是來自外在,不管這些外在來源是宇宙幅射、路人行動電話的訊號、或是裝置作品內觀眾移動的腳步。這些偵測結果皆被導入裝置作品內,引發改變:就像把多變性置入不可知或不可期的數學、物理模式中。

反應平台將於台北推出的展覽,可以看見其藝術創作方面的努力提昇至更高的層次:藝術家們雖然彼此熟識,且培養了長期的工作默契,他們卻沒有一個人曾經到過台灣。於是,從一個有趣的觀點來看,這個團體或多或少意謂一個封閉的系統,而對他們來說完全陌生的台灣,則代表著「外界」。就在他們建構自己的裝置作品時,反應平台本身對於「台灣」這個陌生環境的「反應性」深感興趣。他們特地提早兩個星期來到台灣,為的就是體驗他們與台灣這個土地之間的「反應關係」:他們決定,所有的創作媒材都將於來到台灣進行實探堪後再進行選擇,並且現地製作錄像作品。此外,除了展覽以外,將會舉行藝術家座談與工作坊等相關活動。

By Andreas Walther

Media Art is a term that became popular in the decade of the 1990s and was and still is an extremely interesting perspective. But what is Media Art actually? Does the term simply address those artworks realized by applying electronic, technical, or digital media? In a wider perspective, Media Art also focuses on the production of art itself - since art is generally media-bound. In this respect, Media Art asks what artistic media are and how they generally function, what role they have in the artistic work progress, in the interplay between artist, medium, and world: we would, for instance, definitely come to a different self-perception if we would apply only painting or only photography (or only literature) for portraying ourselves. Equally, also the processes of painting and photographing have very different influences on the artist: it is the particular structure of a medium, for instance its ways of mediating time and space, that makes a medium unique. Extending the field of investigation of Media Art, there further are communicative and social processes carried by communication- and social media (such as politics, religion, science, art) that can become part of the consideration.

re-active platform, media art group based in Cologne, investigates the case of (aesthetic) systems turning hermetic (for example when portraiture would be only realized in one particular medium, with one particular method, and, perhaps, even always with the same model). In such condition, a system (of whatever kind) exclusively operates self-referencially, focusses only its own internal logic or strategy, and disregards the outside. Also when an aesthetic system falls under such condition, the artistic work process and its results turn axiomatic, solipstic, egocentric.

In their installations, re-active platform on one hand create such closed systems, but on the other hand they also integrate techniques and technologies that know to prevent or reverse such development: these technologies for instance are various kinds of sensors such as coincidence cirquits (sensors detecting „coincidence“), ultrasonic sensors, video tracking equipment, and others; all of these sensors detect the outside, no matter if this outside appears in the form of radioactive cosmic showers, signals emitted by mobile phones of passers-by or the audience moving within the installation. These detections then are led into the installed hermetic system, causing change: as if one would integrate a variable for the unknowable or unexpectable in a mathematical or physical formula.

This whole artistic endeavour of re-active platform in the case of the exhibition in Taipei reappears on a second level: while the artists know each other very well, none of them had ever been in Taiwan before. And so, seen from a playful perspective, the group itself resembles a more or less closed system, while the unknown surrounding on location resembles the outside. And just as they build their installations, re-active platform themselves are interested in re-activity while being in this unknown surrounding ‚Taiwan’. Therefore they will arrive two weeks prior to the exhibition opening to re-act on location: building materials used for the installation for instance will all be decided after research on location in Taipei and also some of the exhibited video material will be produced on location in Taipei. Furthermore, besides of the exhibiton, re-active platform will hold workshops and artist’s talk.

參展藝術家 About the Artists

洛夫‧貝克

1977出生於德國杜塞爾道夫,目前居住於柏林

學歷

德國科隆大學電腦科技系/媒體藝術學院媒體藝術系

專業

2007-2008威瑪包浩斯大學研究助理

2010-2011布萊梅藝術大學講師

獲獎

2011 柏林豆克協會/雪林基金會創作補助

馬德里ES機構“VIDA13.0藝術與人工生活獎榮譽獎助

2010 奧登堡艾迪斯-若斯之家工作獎助

2009 圖靈IT“分享獎榮譽獎助

2008 波昂藝術基金基金會榮譽獎助

數位火花獎榮譽獎助

CYNET藝術獎榮譽獎助

2007 北萊茵-威斯法利亞邦年輕藝術家獎助計畫榮譽獎助

Ralf BAECKER

1977 in Duesseldorf, Germany, lives in Berlin.

Education

studied Computer Science (University of Cologne) and Media Arts (Academy of Media Arts)

2007 - 2008 research assistant at Bauhaus University Weimar

2010 – 2011 teaching position at University of the Arts Bremen

Awards

2011 Production stipend, Dock e.v./Schering Stiftung, Berlin D

Honorary mention “VIDA 13.0 Art & Artificial Life Award”, Madrid ES

2010 Working stipend, Edith-Russ-Haus, Oldenburg D

2009 Honorary mention Share Prize, Turin IT

2008 Scholarship Stiftung Kunstfonds Bonn, D

Honorary mention Digital Sparks Award 2008, D

Honorary mention CYNETart Award 2008, D

2007 Grant of the Land North Rhine-Westphalia for young artists (section Media Arts), D

Exhibitions (selection)

2011 Produced@, Edith-Russ-Haus, Oldenburg D

Life: Science version, Center for Contemporary Art WINZAVOD, Moscow RU

Kunstfruehling 2011, Bremen, D

2010 WeltWissen 300, Martin-Gropius-Bau, Berlin D

NODE 10 - Forum for digital arts, Kunstverein Frankfurt am Main D

META.MORF 2010 - New.Brave World!, Trøndelag Centre for Contemporary Art, NO

Space Inventions“, Kuenstlerhaus Wien AT

Sonic Acts XIII - The Poetics of Space, NiMK, Amsterdam NL

re-active platform, glasmoog, Cologne D

When Process becomes Paradigm, LABoral, Gijon ES

Space Inventions, Kuenstlerhaus Wien AT

2009 Piemonte Share Festival 2009, Turin IT

genau. Mathematische Strategien u. kuenstlerische Prozesse, Kuenstlerhaus Dortmund D

Rechnender Raum, Kunstverein Bochum D

2008 Electrohype 2008, Biennial for Computer based Art, Kunsthalle, Malmoe SE

CYNETart_08, Festspielhaus Hellerau, Dresden D

Artbots 2008, Science Gallery, Dublin IRE

Zur Zeit, Kuenstlerhaus Palais Thurn und Taxis, Bregenz AT

2007 Lab30, Abraxas, Augsburg D

Wolfgang von Kempelen. Mensch-[in der]-Maschine, ZKM Karlsruhe D

Rechnender Raum, Moltkerei Werkstatt e.V., Koeln D

From Reality and Back, Mejan Labs, Stockholm SE

2006 NOWHERE #4, Melkweg Amsterdam, Amsterdam NL

Zaehler, Kuenstlerverein Malkasten, Duesseldorf D

2005 Expanded Arts No. 2, Kunstverein, Guetersloh D

Helden der Kuenste, EMAF, Osnabrueck D


亞圖‧賀霖

1977年出生,生活工作於科隆

學歷

科隆媒體藝術學院音效視覺媒體系

專業

獨立攝影師

庫薩奴工坊獎助藝術家

德國基森大學應用戲劇系講師

Artur HOLLING

1977, lives in Cologne, Germany

Education

Audiovisual Media at Academy of Media Arts Cologne, focussing on media arts, experimental video, reactive systems, photography.

Key interests reflection on ritual patterns of behaviour applying techniques of framing and perspective shifting.

Worked as free photographer.

rtist scholarship of the Cusanuswerk.

Lecturer for video at Giessen University, Institute for Applied Theatre Studies.

Exhibitions (selection)

2011 Rundgang, Trinitatis Kirche, Academy of Media Arts Cologne, D

Der destruktive Charakter, Halle 9, Sporthochschule, Cologne, D

2010 re-active platform: CAR, Essen, D

re-active platform: glasmoog Cologne, D

Feldstaerke International: Essen and Paris

Festival Temps d‘images: Tanzhaus NRW Duesseldorf, D

2009 Vogelsang Intervention: Cologne/Schleiden, D

2008 Feldstaerke: Pact Zollverein Essen, D

Internationale Photoszene: Cologne, D

2007 XXX-Pilotin: Cologne and Frauenmuseum Bonn, D

Strange Lovers: Cologne and Amsterdam

Rettung ohne Untergang: Cologne, D

Offene Ateliers: Cologne, D


卡琳‧林瑙

1971年出生,工作居住於科隆

學歷

德國卡爾斯魯爾國立造型藝術學院設計系

荷蘭烏特瑞希特藝術學院與艾德后芬設計學院

科隆媒體藝術學院媒體藝術研究所

獲獎

2008 數位火花榮譽獎項

諾得堡丹佛斯藝術家金牌獎

2007 NRW2007年度藝術家「公開的矛頓」特別獎

大阪「獵殺這個世紀的達文奇」特別獎

墨西哥國家藝術中心榮譽獎項

Karin LINGNAU

1971 in Cologne, Germany, lives and works in Cologne

Education

Studies of languages and educational science.

Study of Design, Staatliche Hochschule fuer Gestaltung, Karlsruhe.

Study abroad at Hogeschool voor de Kunsten Utrecht and Design Academy Eindhoven.

Post-graduated studies in Media Arts at Academy of Media Arts Cologne.

2007 Founding of Avatar Magazin Publikationen Cologne.

2009 Founding of Paidia Institute.

Prizes/Awards

2008 Honorary mention digital sparks 08

Gold award Danfoss Art Award, Nordborg

2007 Special award Paradoxien des OEffentlichen, artist of the year 2007, NRW

Special award Hunt for This Century‘s Leonardo da Vinci, Osaka

Honorary mention Transitio_MX, Centro Nacional de las Artes, Mexico City

Exhibitions (Selection)

2011 Platine, Cologne, D

2010 re-active platform, CAR, Essen, D

AMaze-Interact, CTM10, Berlin, D

re-active platform, glasmoog, Cologne, D

Heavy Matter, ISEA 2010, Dortmund, D

2009 Vorgebirgspark Skulptur, Cologne

play09, Creative Gaming Lab, Potsdam

2008 Koelner Designpreis, Museum fuer angewandte Kunst Cologne, D

Spielregeln, Kulturbunker, Cologne, D

Spectropia, RIXC Media Space, Riga

play08, Creative Gaming Lab, Potsdam, D

Dislocate 08, Festival for Art, Technology and Locality, ZAIM, Tokyo

Paradoxien des OEffentlichen, Lehmbruck-Museum Duisburg, D

Trojan, Moltkerei Werkstatt, Cologne, D

zur-Zeit-Koeln, Kuenstlerhaus Palais Thurn und Taxis, Bregenz, A

transmediale 08, Haus der Kulturen der Welt, Berlin

II. Mobilefest International Seminar and Exhibition, Sao Paulo, Br

2007 a-m-b-e_r-festival, body-process arts, Istanbul

lab30, 6. augsburger kunstlabor, Augsburg

Transitio_MX, Centro Nacional de las Artes, Mexico City

Cybersonica07, Kinetica Museum, London

SARoskop (with Martin Hesselmeier), Moltkerei Werkstatt, Cologne, D

XXX-Pilotin, Trinitatiskirche, Cologne, D


朴知賢

1980年出生於韓國大邱

學歷

慶北國際大學農業系/科隆媒體藝術學院媒體藝術系

Ji Hyun PARK

1980 ind Daegu, Korea

Education

Kyungbook National University (2004 Bachelor of Agriculture, Bachelor of Arts

Media Arts at Academy of Media Arts Cologne

Exhibitions

2010 re-active platform, CAR (Essen, D)

Heavy Matter, ISEA 2010 (Dortmund, D)

Ballroom at Art Cologne (Cologne, D)

re-active platform, glasmoog (Cologne, D)

2009 Vogelsang Intervention (Schleiden, D)

Componen - PRAXIS (Cologne, D)

2008 Plan08 (Cologne, D)

Kompressor - Halle 15 (Cologne, D)

The Linux Audio Conference 2008 (Cologne, D)

MinusEins (Cologne, D)

2007 Altitude 07, Kunsthochschule fuer Medien (Cologne D)

Schwarz, Raumkalk (Cologne, D)

Pact-Zollverein (Essen, D)

2006 Schein Hain, Trinitatiskirche (Cologne, D)

Concerts

2009 Videonale 12 - Transmutation (Bonn, D)

2009 Off Topic #1: aufraeumen - Mikrotonale Landschaft (Cologne, D)

Screenings

2008 The Images Festival (Toronto, Canada)

2008 LOOP 08 (Barcelona, Spain)

Interventions

2009 Workshop - returnable DATA (CAFA, Beijing, China)

2008 Workshop - Internationale di Arte Urbana (San Sperate, I)


露易思‧涅葛龍‧范‧葛利肯

工作與居住於科隆

學歷

科隆媒體藝術學院

巴塞隆納媒體藝術中心

伊門瑙科技大學

專業

劇場、音樂與視覺藝術電子媒體應用

媒體電子舞台設計、音樂會、藝術裝置研究

目前為科隆媒體藝術學院錄像/互動媒體與圖視研究員

Luis NEGRON van Grieken

Lives in Cologne

Education

Academy of Media Arts Cologne, Germany

Media Centre d’Art y Disenny Barcelona

Technical University of Ilmenau.

Since 2000 using electronic media in fields like theater, music and visual arts.

Artistic research is based on experimentation of processes in the realization of media electronic stage design, A/V concerts and installations.

Currently working in the academic staff of the field of video / interactive media & scenography at the Academy of Media Arts Cologne.

Festivals and art centers participations (selected)

Metronom, gallery of experimental arts Barcelona, Spain

Montevideo institute of media arts, Amsterdam NL

Kunststation St. Peter, Cologne, Germany

Kunstverein Bochum Germany

Kunsthalle Dusseldorf Germany

State gallery bwa, Bielsko-Biala, Poland

Roede Hud Amsterdam, Holland

Heinehus Paris France

EMAF, festival of media arts, Osnabruck Germany

Altstadtherbst Dusseldorf, festival of music and theater

sonar, festival for music and new media

opening, festival for intermedia Trier Germany

frischzelle, festival for music and media arts Cologne Germany

brueckenmusik, festival for sound art Cologne Germany

norelectronica, festival of electronic music and media. Malmoe Sweden

Selected Video-performances

{ñ} oracle score for an empty page

tientos y lucientes

heines sklavenschiff

projectio lingua lux

dreamachines, everything is intertwingled

zoa

Videoprojection for dance and theater, media stage design:

hoffmann - animax multimedia-theater Bonn

orpheus audio splatter - ballhaus ost theater Berlin

schneekoenigin - animax multimediatheater Bonn


蘇珊娜‧旬白克

1967出生於義大利法恩薩,曾居住於米蘭與柏林,1999年起定居科隆

學歷

米蘭大學社會學系/電影科技系

米蘭大學社會學博士

科隆媒體藝術學院媒體藝術系碩士班

專業

1990年起從事錄像、攝影、裝置與表演創作;2002年起成為arte-e-parte創作者

德國媒體藝術雜誌offtopic創始人

2004-2011科隆媒體藝術學院助理教授

Susanna SCHOENBERG

1967 in Faenza, Italy, grew up in Bozen, lived in Milan and Berlin, since 1999 in Cologne.

Education

Social Sciences (Milano)

Cinematographic Techniques (Milano)

PHD in Sociology (Milano)

post-graduate studies in Media Arts at the Academy for Media Arts Cologne.

Artistic production since 1990 mainly in the fields video, photography, installation and performance; since 2002 producing also as arte-e-parte;

founder member of the german media art magazine offtopic;

2004-2011 assistant professor at the KHM in charge for multimedia & performance;

techniques&artefacts (media oriented arts; computer supported installations; experimental video; documentary; photography; performance)

exhibitions, screenings, festivals, workshops (selection)

2011 Weather Tunnel, translife, National Art Museum Of China, Beijing

Padiglione Italia nel Mondo, Biennale di Venezia (Venice, I) and

Instituto Italiano di Cultura (Cologne, D)

returnable, workshop @ Intermedia School of Arts (Hangzhou, China),

2010 backlash, Raummusik concerts and performances, alte Feuerwache (Cologne D)

re-active platform, CAR (Essen, D)

re-active platform, glasmoog (Cologne, D)

returnable, workshop @ Paese Museo (San Sperate I)

2009 Futurismus und so, Raummusik concerts and performances, Kunstwerk (Cologne D),

returnable, workshop @ CAFA Beijing (Beijing)

2008 Staged Materials, Huan Tie Art District, (Beijing)

deTOUR, galerie BUK (Leipzig D)

2007 Rencontres Internationales, (Berlin, Madrid 2007; Paris, 2006),

2006 Japan Media Arts Festival & Festival Exhibition (Tokyo, J)

Vidéothèque Éphémère du Festival VIDEOFORMES (Clermont-Ferrand, F)

<<restricted view>>, reinraum e.V. (Duesseldorf, D)

2005 expanded arts no.2 (Kunstverein Kreis Guetersloh, D)

nepdoc (Reutlingen, D)

2004 tECNICHEmISTE, Istituto Italiano di Cultura (Cologne 2004),

Festival International de Films de Femmes (Creteil, F 2004)

expanded arts @ art cologne (Cologne, D)

rheinschau (Cologne, D)

tekfestival (Roma, I)

2003 goandstop, European Media Art Festival (Osnabrueck, D)

Torino Film Festival (Torino I)

portraits (in time), Taiwan International Visual Center (Taipei, Taiwan)


華安瑞

1971出生於德國基森

學歷

科隆媒體藝術學院,聲音視覺媒體碩士

布萊梅美術學院實驗電影系

基森大學藝術與音樂史系

國立台灣大學中文系

策展經歷

2011 反動平台-德國當代媒體藝術展,台北當代藝術館,台灣

2006 親密關係,德國文化中心,台灣

2003 靈光流匯,台北市立美術館,台灣

時間肖像,台灣國際視覺藝術中心,台灣

Andreas WALTHER

1971 in Giessen, Germany

Studies

MA Audiovisual Media - Media Arts, Academy of Media Arts Cologne, Germany /

BA Experimental Film Making, Academy of Arts Bremen, Germany / History of Art and Musicology, University of Giessen, Germany / Chinese Language, National Taiwan University, Taipei, Taiwan

Exhibitions (selection)

2010    2010 435 Culture Park, New Taipei City, Taiwan (solo show)

2009 China Heights Gallery, Sidney, Australia

2008 paar/unpaar, Kunstverein Pfortzheim, Germany

Huafan University, Department of Fine Arts (solo show)

2007 Moltkerei Werkstatt Koeln, Germany (solo show)

vom hier und da sein, Kunstverein Giessen, Germany (solo show)

2003 Wistaria Cultural Association, Taipei, Taiwan

2000 Akademie der Kuenste, Berlin

Curatorial Projects (selection)

2011 re-active platform, MOCA Taipei, Taiwan

2006 Intimate Relations, German Cultural Center Taipei, Taiwan

2003 Streams of Encounter, Taipei Fine Arts Museum, Taipei, Taiwan

portraits (in time), Taiwan International Visual Arts Center, Taipei, Taiwan

Stipends, Scholarships, Grants (selection)

  • Family Portraits, video portait series / supported by: Hessian Ministery for Sciences and Arts, Germany (2009), the Glenfiddich artist-in-residence program (2009), Cultural Office Cologne, Germany (2008), Cologne Northrhine-Westphalia State Chancellery, Germany (2006), Goethe Institute/ Max Mueller Bhavan, Bangalore, India (2006),
    Xie Shu-fen, Taipei, Taiwan (2006)
  • portraits (in time), curatorial project (2003) / supported by: Northrhine-Westphalia Art Foundation, Germany; German Cultural Center Taipei; Taipei Cultural Office
  • Streams of Encounter, curatorial project (2003) / supported by: Northrhine-Westphalia Art Foundation, Germany; Institut fuer Auslandsbeziehungen ifa, Stuttgart, Germany; Academy of Media Arts Cologne, Germany;
  • Travel Stipend by the Association of Friends of Academy of Media Arts Cologne (2001)

Lectures, Talks, Presentations (selection)

2009 National Taipei University of the Arts, Dept. Of Fine Arts, Taiwan

Huafan University, Dept. of Philosophy, Shiding, Taiwan

2008 Academy of Media Arts Cologne, Germany

2007 Kunstverein Giessen, Germany

2006 Jiao Tong University, Dept. of Applied Arts, Hsinchu, Taiwan

2003 Guest Lecturer, Grad. School of Arts and Technology, Nat. University of the Arts, Taiwan

2001 International Academy of Media Arts and Sciences, Japan

2000 DEAF - Dutch Electronic Arts Festival, Holland


王浚人

1976 生於台灣台北

1997-2001 國立台灣藝術大學美術系碩士

2008 摩帝富藝術顧問公司藝術管理與市場行銷

WANG Chun-jen

1976 in Taipei, Taiwan

Studies and Education

MA Fine Arts, National Taiwan University of the Arts, 1997 – 2001

Arts Management and Marketing, Motif Art Consulting, Taipei, Taiwan 2008

Training

2009 Internship at Laurent Delaye Gallery, London, UK, 2009

Fields of Reference within: research and library management; organisational and administrative tasks;

exhibition setup.

Curatorial Projects (selection)

2007 Curator of Seeing Ethics, Contemporary Taiwan Photography, Group Show,Nanhai Gallery Taipei, Taiwan

Fields of Reference within: Selection of art works as well as contact and communication with the

artists; Arrangement of exhibition space, exhibition display; Holding of two seminars

2006 Curatorial Assistant of Taiwan Avantgarde Documenta (CO6), Submissions exhibition, Group Show at National Taiwan Museum of Fine Arts, Taizhong, Taiwan

Fields of Reference within: Selection of artworks; Communication with the artists; Coordination and implementation of the exhibition involving construction works, set-up of artworks, organization of transportation, insurance, equipment leasing; Budget accountancy and acquisition of sponsors; Training and coordination of volunteers; Museum Guide within the context of the exhibition

Employments, Freelance Work

2003 to present: Freelance in the field of Art Education as Teacher and Tutor for different customers (e.g. Pacific Club Taipei)

Fields of Reference within: Introduction in Art History, Museum Guide, Teacher for different

Painting Techniques (Oil, Watercolour, Multimedia)

2002 to 2003: Executive Staff at Shin Leh Yuan, Artists Association and Art Space, Taipei, Taiwan

Fields of Reference within: Internal organization, Public Relations, Event Coordination

Stipends, Scolarships, Grants

2009 Stipendiary of the Contemporary Art Foundation, Taipei, Taiwan

2003 Seeing Ethics, curatorial project / supported by: National Culture and Arts Foundation Taiwan