台北當代藝術館 官方網站 Museum of Contemporary Art, Taipei

首頁 展覽資訊 新展預告

展覽名稱 Exhibit

【聚合與繁衍Polymerization & Multiply 

展覽時間 Date

2016/11/06-2016/12/04

展覽地點 Venue

台北當代藝術館 MOCA Video

門票 Admission

免費 Free

參展藝術家 Artists

Matt Abbiss 麥特・艾比斯

Max Hattler 麥克斯・哈特勒

Robert Seidel 羅伯特・塞德爾

展覽介紹 About the Exhibition

【聚合與繁衍Polymerization & Multiply 

 

以非敘事性的動態影像為範疇,本次展覽集結了多件入選「2015 MOCA VIDEO當代影像聚場」之作品,參展藝術家分別來自英國與德國,作品則含括了2D圖像、3D動畫到現成物的挪用。本次展出內容從數位動畫到實驗影像,畫面遊走在符號元素的消逝、聚合與繁衍間,呈現出無故事性的有機結構,並在看似不規則的動作過程中,隱然生成一種更無邊際的空間與時態,藉以帶給觀者在想像的片隅之間,更無拘無束的視覺觀感。

Focusing on non-narrative videos, this exhibition brings together some of the works selected in the open call for the 2015 MOCA VIDEO. Artists who created these works come from the UK and Germany, and their works range from 2D image, to 3D animation, to appropriation of ready-made objects. From digital animation to experimental video, the image lingers among the disappearance, polymerization, and multiplication of symbols, unveiling an organic structure without any narrative. In the movement seemingly lacking any pattern, the space and time seem to be more boundless, giving the viewers a carefree visual perception in an imaginative manner.

 

本次共展出四件影像作品,藝術家Matt Abbiss的〈點〉,以點、線為主要元素,透過色塊間的生成與連結,帶來充滿趣味的聚合過程;Max Hattler則分別帶來〈短時間內,體積、數量、或重要性的急速增加〉與〈星艦模型:不明的證據〉,前者以圓形的生長、爆炸或融合為動作軌跡,生成一段段在虛擬空間中的游移變化;後者則是陣列了各類現成物的外觀形體,並模擬成飛往星際的航艦,試圖扭轉其原有用途及意涵;最後一件作品是來自Robert Seidel的〈水晶玻璃〉,藝術家以晶體結構為模型,藉由元素彼此之間的吸引及組合,形塑出既抽象又有機的力場美學。

Four video works are on view in the exhibition. Matt Abbiss's Point uses elements of dots and lines as well as the formation and connection of color blocks to create an intriguing process of polymerization. Max Hattler presents two works: A Very Large Increase in the Size, Amount, or Importance of Something Over a Very Short Period of Time and Model Starship: Unclear Proof. The former creates a series of movement through the formation, explosion, or integration of circles, revealing vacillations and variations in a virtual space. The latter displays a matrix of different ready-mades and uses them to mimic starships that are traversing the galaxy, transforming the purposes and meanings of the ready-mades. Vitreous is created by Robert Seidel, who uses the structure of crystallization as a model and shows the aesthetics of force-field that is abstract and organic through the movement and combination of the elements.

參展藝術家 About the Artists

藝術家介紹 Artist Introduction

Matt Abbiss 麥特・艾比斯

Max Hattler 麥克斯・哈特勒

Robert Seidel 羅伯特・塞德爾

作品介紹 About the Artworks

 Matt Abbiss 麥特・艾比斯

〈點〉 是一部抽象數位手繪動畫,原是藝術家受【錯誤 – 新數位藝術雙年展】(The Wrong – New Digital Art Biennale)中的「鏡子荒野館」所委託之創作。

Point is an abstract, digitally hand drawn animation, originally commissioned for the Wilderness of Mirrors pavilion as part of The Wrong – New Digital Art Biennale.


〈點〉Point  

實驗動畫 Experimental animation

1'42"

2013


Max Hattler 麥克斯・哈特勒

此作將聲音及影像融合為一,以二十世紀初期的視覺音樂實驗為靈感,運用數位動畫及音效微編輯的手法,創造出一個具有抽象造型、聲音、動態及音韻,同時又進行自我表達且不斷變形的生命體。

This work attempts to merge sound and image into audiovisual oneness. Taking inspiration from early 20th century visual music experiments, this short piece employs digital animation and sound micro-editing to embody an ever-changing audiovisual creature which expresses itself through abstract shapes, sounds, movements and melodies.


〈短時間內,體積、數量、或重要性的急速增加〉

A Very Large Increase in the Size, Amount, or Importance of Something Over a Very Short Period of Time.  

實驗動畫 Experimental animation

2'00"

2013

 

在這部循環播放的單頻道錄像中,酒精及美粧產品以帶有邪惡氣息的姿態,化身為能改變形體的星際戰艦。

In this looping single-channel installation, alcohol and beauty products take on more sinister meanings as they are reimagined as shape-shifting intergalactic battleships.



〈星艦模型:不明的證據〉Model Starship: Unclear Proof

實驗動畫 Experimental animation

1'25"

2014


Robert Seidel 羅伯特・塞德爾

〈水晶玻璃〉一作源於藝術家對實驗手法的運用,呈現立體纖維狀折射結構,及在引力透鏡效果下量體、色彩各異的聚合體,影像中單一元素翻轉漂移至另一元素,形成巨大又具備雕塑性質的系統結構,同時每一個聚合體仍具有個別的視覺中軸及消失點。

Vitreous resulted from experimental setups by artist for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point.

在這些可能運動的光譜中,每個單一雕塑對整體的圖像力場都是重要的構成組件,在這不對稱卻又合諧的大量時空互動之中,抽象有機的影像幾乎已體現「動態繪畫」及「生長雕塑」的概念。

In the spectrum of these possible movements, each singular sculpture becomes an integral component of the whole pictorial force-field. In its asymmetrical orchestration and multitude of spatial-temporal interactions, the abstract-organic images are close in appearance to the concepts of “moving paintings” and “living sculptures”.


〈水晶玻璃〉Vitreous 

實驗動畫 Experimental animation

3’30”

2015