Saturday Saturday
10AM - 6PM
Exhibition
Hello, Human!
One year project – Outing
Phantoms－Timoteus Anggawan Kusno
Semiotics of the Home
EXHIBITIONS & EVENTS
2011 / 12 / 02 Fri.
2012 / 01 / 29 Sun.
Venue
MOCA 1F
“The Remnant Vision” is the title of a series of new works begun by Chen Shun-Chu in 2011, as well as of this exhibition. Revolving around “incomplete visions of life,” the exhibition is an account of how Chen began with reflections on his family history, with his works expressing feelings of regret and the fragment of images on journeys and later expanded to the projections of people’s collective consciousness, even stirring feelings about memories buried deep in the viewer’s heart. Chen’s earlier works give new meanings to life through a process of repeated examination, interpretation, and reshaping of images of memories; his more recent work is intended to recreate pure personal emotions and outlooks on life, and to repeatedly remake perfect moments lost at the end of memory. The exhibition, which includes both photography and image-based installation pieces, extends from Chen’s creative exploration and meditations on life in his works from the early 1990s to his more spontaneous recent works. Based on the architecture and spaces of the Museum of Contemporary Art, the artist has specially produced two installation pieces which, like musical overtures, lead the viewer into Chen’s creative world, the scenes of life and artistic texts presented through visual language. A few of well-known earlier mixed-media and installation works are on display in the four display room along the red brick corridor, while the series of new pieces at the end display the artist’s re-focus on suddenly occurring imagery and the pursuit of self in purely emotional images. Chen Shun-Chu’s space specific installation works, past works that look back on life, and new works that re-explore the essence of art have been collected together and interwoven to create a powerful, vital artistic essay with diverse threads at MOCA Taipei.
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Chen Shun-Chu, a native of Penghu County, Taiwan and a graduate of the Fine Arts Department of Chinese Culture University, lives and creates in Taipei. Currently assigned as Associate Professor by Department of Construction Science and Technology at De Lin Institute of Technology, and also as Adjunct Associate Professor by Graduate Program of Department of Fine Arts at National Taiwan University of Arts. He also lectured as Adjunct Associate Professor at the National Taichung University of Education, and Tunghai University, Department of Fine Arts.
Since the early 1990s, Chen has taken photography as his main creative language but he often also includes other elements to create mixed-media pieces and art installations featuring space and landscape. His major early works, such as Family Black Box, Assembly: Family Parade, Flower Ritual, and Journeys in Time contained strong feelings of nostalgia for home and family, whileFamily Dwelling: 4x5 3 Times and Path to Homeland which were released in recent years focus on household memories or scenes not far removed from reality, while in terms of the choice of media, he has shifted slightly to alternating between digital video and optical photography.
Chen is a core member of IT Park, the standard-setting Taiwanese contemporary art space, as well as an active pioneer of “creative imagery” in Taiwanese contemporary art, and a notable artist working in contemporary “new imagery.”Since 1990, he has held 23 solo exhibitions at venues such as IT Park, the Taiwan Provincial Museum of Fine Arts (now the Taiwan National Museum of Fine Arts), and the Taipei Fine Arts Museum, as well as in Paris, Fukuoka, Japan, and Hong Kong; he has also taken part in over 150 group exhibitions, including over 40 international biennale and triennial exhibitions and exhibitions organized by art institutions.
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