Museum of Contemporary Art, Taipei
10AM - 6PM
Entrance by Evidence
EXHIBITIONS & EVENTS
2021 / 02 / 27 Sat.
2021 / 04 / 18 Sun.
10:00 - 18:00
Postwar Savage Code – CHEN, I-CHUN
Postwar Savage Code is an art series featuring works adapted from various real narrative texts. Based on re-interpretation of oral history and literature accumulated over many years, the artist encodes and re-writes those involved in the texts and multifacetedly re-translates their history: the savages who grew up with the mindset of being under surveillance and extensively disciplined by historical fear, along with the treacherous, unofficial history of Taiwan. The Survival Strategy of the Neuromancer – LUO, HE-LIN
Cyberspace is independent. No nations can claim its ownership. In 1996, John Perry Barlow, in his essay, ‘A Declaration of the Independence of Cyberspace,’ describes cyberspace as a utopia, “We are creating a world that all may enter without privilege or prejudice accorded by race, economic power, military force, or station of birth. We are creating a world where anyone, anywhere may express his or her beliefs, no matter how singular, without fear of being coerced into silence or conformity.” However, the world of the internet nowadays is no longer what is described in the declaration. Instead, it is divided and conquered by capitalist giants such as the mega internet search engine Google, social media Facebook and video platform YouTube, which have practically monopolized and dominated every actions in cyberspace, to the point of even controlling and manipulating information in political campaigns and elections.
In 2020, the Netflix documentary “The Social Dilemma” interviews engineers of large online platforms and reveals the “addiction” to internet intelligentization, which has become the most imminent crisis facing cyberspace. The socialization of the internet, automatic push notification, preference algorithm, the highly intelligentized internet has become something like an addictive drug that cannot be controlled by engineers who have built the cyberspace to automatically infer human preferences. This situation brings to mind what William Ford Gibson describes in his classic work Neuromancer of 1984, in which the artificial intelligence “Neuromancer” forces kinship with the protagonist. Such dilemma is precisely the challenge faced by cyberspace. For humans, as a neuromancer, to be able to escape the current surveillance of the internet is a skill that people must learn as soon as possible. This skill is a means of “survival strategy,” and it is the strategy of neuromancers that we all must cope with and acquire in the dilemma of intelligent society.
Chen I-Chun holds a master’s degree from the Graduate School of Arts and Technology, Taipei National University of the Arts, and is now a doctoral candidate at the Department of Fine Arts, School of Fine Arts, Taipei National University of the Arts. Her practice primarily engages in experimental film, interdisciplinary new media and contemporary painting. She has consistently focused on social issues and stories about industry, the peripheral and the middle-lower social class, into which she adds personal experiences posited between reality and fantasy. Using a cross-referencing, creative method involving interviews, field studies, unraveling historical mysteries, dream analysis and occult techniques, she decodes Taiwan’s cosmic history perceived from unofficial perspectives.
Helin Luo graduated with a master’s degree from the Graduate School of Arts and Technology, Taipei National University of the Arts and a doctoral degree from the Graduate Institute of Networking and Multimedia, National Taiwan University. He specializes in creating interdisciplinary works using art and technology. For his creations, he draws from his personal experience of being extremely addicted to online games during middle and high school to explore “the power of virtual worlds,” “the thrill of speed,” and other variations during this era of technology. Furthermore, his works are centered around the concept of “immigrant illness” amidst this generation of digital immigrants.
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If any of the content on MOCA Taipei’s website or anyone using MOCA Taipei’s service
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MOCA Taipei’s principle of handling the report on copyright infringement:
1. MOCA Taipei will remove the webpage content claimed to cause the copyright
infringement as soon as possible after receiving your notice, and will inform the
user about the infringement via email. If the said user objects to said
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