台北當代藝術館 官方網站 Museum of Contemporary Art, Taipei

本場座談企圖於視覺文化的範疇開啟更多關於黑性、歧視、演算法、非裔與亞裔關係的討論。
致穎於作品檢視圖像史、底片材質和電影製作基礎工具，是如何系統地發展成一種難以呈現黑人演員皮膚的現況。
攝影技術演進至數位攝影，演算法和臉部識別系統的廣泛使用，歧視偏見反而進一步加速和擴大，產生巨大影響。當今非洲國家最廣泛使用的影像演算法系統由台灣科技公司（聯發科）開發，台灣在此扮演著比單純供應鏈之意義上更重要的角色。

This panel is correlated to Musquiqui Chihying’s exhibition, There Are Lights that Never Go Out, as a parallel event to open up more discussion on blackness, discrimination, algorithm and Africa-Asia relationship in the realm of visual culture. In the exhibition, he examines the history of photography, the material of the film, and series of movie-making infrastructure that was systematically developed in a way that is difficult to see Black actors’ skin. As the technology of photography enters the digital age, this phenomenon not only failed to resolve such problem but further accelerate and scald to have an immense impact when algorithms and facial recognition systems are deployed globally.
Now the biggest cellphone company in many African countries are owned by Chinese companies, the algorithm system was developed by the Taiwanese tech company. We think it is time to bring more awareness and discussion on technology and bias. ●活動須知
1.如遇颱風等天災或其他不可抗力之因素，依臺北市政府規定公告取消辦理，不另行通知。
2.本館保有所有活動變更之權利，因特殊原因或疫情影響造成講座時間或形式異動，將於本館官網與FB另行公告，造成不便，敬請見諒。