畢業於德國柏林藝術學院,獲卓越藝術家最高文憑。1984年開始錄像藝術創作,為台灣新媒體藝術發展的開創者之一。1984年獲年度雄獅美術新人獎,1996年獲德國柏林電視塔藝術獎,2009年獲台新藝術獎年度視覺藝術大獎。2000年獲日本「美術手帖」推選為最受注目的100位藝術家之一。現專任於國立臺北藝術大學新媒體藝術系副教授並兼藝術與科技中心主任。
重要國際邀展包括:
「道後溫泉國際藝術節」(日本松山市, 2014)、「柏林超媒體藝術節」(2014)、「上海西岸雙年展」(2013)、「俄羅斯數位藝術節」(2013)、「林茲電子藝術節」(2013)、「杜象與/或/在中國」(北京尤倫斯當代藝術中心, 2013)、「正言世代」(美國強生美術館, 2004)、「亞細亞散步」(日本水戶藝術館, 2001)、「亞太當代藝術三年展」(澳洲昆士蘭, 1999)、「福岡亞洲藝術三年展」(1999)、「台北雙年展」(1998, 2000)、「蛻變.突破:新華人藝術」(紐約P.S.1, 1998)、「移動中的城市」(維也納分離主義藝術中心, 1997)、「威尼斯雙年展」(1997)、「約翰尼斯堡國際雙年展」(1997)、「光州國際雙年展」(1995, 2002)、「美國電影中心錄像展」(1989)等。
近年參與跨域媒體劇場創作包括:
德國萊茵歌劇院《杜蘭朵公主》多媒體影像設計(2015)、導演新媒體無人劇場《罪惡之城》(2013)、導演科技媒體劇場《萬有引力的下午》(2010)、兩廳院旗艦計畫台語歌劇《黑鬚馬偕》影像設計(2008)、華格納全本歌劇《尼貝龍指環》舞台與視覺統籌(2006)等。
Jun-Jieh Wang was born in Taipei, Taiwan, he graduated from the HdK Art Academy in Berlin. He started working with video in 1984, and became one of the pioneers of new media art in Taiwan. He received the Hsiung-Shih New Artists Award in 1984, the Berlin Television Tower Award in 1996 and Taishin Arts Award in 2009. Jun-Jieh Wang is currently associate professor at the Department of New Media Art at Taipei National University of the Arts, as well as Director of Center for Art and Technology.
Jun-Jieh Wang has been active on the international contemporary art arena from an early stage. Invitations to major international exhibitions came from, among others, "Dogo Onsenart" (Matsuyama City, 2014), "Transmediale Berlin" (2014), "West Bund Biennial" (Shanghai, 2013), "Ars Electronica: Schizophrenia Taiwan 2.0" (2013), "Marcel Duchamp and/or/in China" (Ullens Center for Contemporary Art, 2013), "Promenade in Asian: Cute" (Art Tower Mito, 2001), "Asia-Pacific Triennial” (1999), "Fukuoka Asian Art Triennale”(1999), "Taipei Biennial" (1998, 2000), "Inside Out: New Chinese Arts" (P.S.1 N.Y., 1998), "Cities on the Move" (Vienna Secession, 1997), "Venice Biennial" (1997), "Johannesburg Biennial" (1997), "Kwangju Biennial" (1995, 2002) and "American Film Institute Video Festival" (1989).
Wang’s work in interdisciplinary media theatre and design in recent years includes: directing the technological media theatre work Sin City (2013); directing the new media theatre work The Afternoon of Gravity (2010) ; as stage and visual designer for Mackay–The Black Bearded Bible Man (National Theater, 2009); serving as staging visual Director for the Taiwan premiere of Wagner’s Der Ring des Nibelungen (2006).